How Morality Changes in a Foreign Language

[Why does it matter whether we judge morality in our native language or a foreign one? According to one explanation, such judgments involve two separate and competing modes of thinking—one of these, a quick, gut-level “feeling,” and the other, careful deliberation about the greatest good for the greatest number. When we use a foreign language, we unconsciously sink into the more deliberate mode simply because the effort of operating in our non-native language cues our cognitive system to prepare for strenuous activity. This may seem paradoxical, but is in line with findings that reading math problems in a hard-to-read font makes people less likely to make careless mistakes.]

Read the full story | Scientific American

 

We Imprint on What a Story Ought to Be

A preliminary reflection on the sad grandeur of my after-election shock allowed me the license to draw an analogy from the structure of stories: native American stories vs western fairy tales, African tales vs western didactic myths, Indian folklore, Japanese stories… The structure of these “other” stories is different than most western ones -saturated with conquest and blissful, or not so blissful, unions-. They do not consist of a single layer of reality. A structure which, disturbingly distorted on so many levels, fits our current post-election narrative -as do the plans for our future- of the “conquerors.”

An eloquent and clear comparison I just found in this article, about Japanese story structure:

Our Fairy Tales Ourselves: Storytelling From East to West

[Kawai addressed the idea that reality is in fact slippery, in the Yubaba-Zeniba way. He writes: “Reality consists of countless layers. Only in daily life does it appear as a unity with a single layer, which will never threaten us. However, deep layers can break through to the surface before our eyes. Fairy tales have much to tell us in this regard.” What lies behind this layer of reality?

Kawai also introduces the concept of “the aesthetic solution.” In western fairy tales, Kawai notes, stories often resolve with a conquest, or with a wedding. Examples are numerous: Sleeping Beauty, Cinderella, Snow White, etc. But in Japanese fairy tales, Kawai says, there is rarely this kind of union. Frequently, stories resolve with “an aesthetic solution.” And by aesthetic, Kawai specifically means images from nature.]

rats

 

Much Ado About Nothing | “Praise for Effort” and its Discontents

[Reams of research show that kids who are praised for being smart fixate on performance, shying away from taking risks and meeting potential failure. Kids who are praised for their efforts try harder and persist with tasks longer. These “effort” kids have a “growth mindset” marked by resilience and a thirst for mastery; the “smart” ones have a “fixed mindset” believing intelligence to be innate and not malleable.

 But now, Carol Dweck, the Stanford professor of psychology who spent 40 years researching, introducing and explaining the growth mindset, is calling a big timeout.
 It seems the growth mindset has run amok. Kids are being offered empty praise for just trying. Effort itself has become praise-worthy without the goal it was meant to unleash: learning. Parents tell her that they have a growth mindset, but then they react with anxiety or false affect to a child’s struggle or setback. “They need a learning reaction – ‘what did you do?’, ‘what can we do next?’” Dweck says….]   Read the full article here | QUARTZ
1 AAA

What you Hear is Actually What you See: The McGurk Effect

(by Chris Higgins | MENTAL FLOSS)

The McGurk effect is mind-blowing. It involves showing a person’s lips making the shape of one sound—like “bah”—while the audio is actually the person saying “fah.” What’s interesting is that your brain changes what you “hear” based on what you see. It’s “bah” all the way through, but when we see “bah” our minds transform “bah” into “fah.”

The effect is named for researcher Harry McGurk, who published a 1976 paper with John MacDonald entitled “Hearing lips and seeing voices.” McGurk and MacDonald described how speech perception isn’t just about sound—it’s also affected by vision, and the integration of the two.

What’s most interesting about the McGurk effect is that, even when the viewer knows what’s happening, it still works. In other words, even thought I know it’s an illusion, my brain can’t seem to turn off the effect. Note: Some people are not susceptible to the effect; please leave a comment either way!

Here’s a nice BBC segment illustrating the effect (jump to 0:30 if you just want to see the effect in action):

Scorsese and Derrida | How GoodFellas Became Scorsese’s Most Misunderstood Masterpiece

Scorsese (and co-writer Nicholas Pileggi) are less interested in creating heroes than in deconstructing Henry, Tony and the other guys in Goodfellas. Methodically, often making the viewer very uncomfortable, frame by frame, Scorsese visually travels upstream, in his brilliant journey to find the “heroes'” ultimate point of departure.

Like Derrida did.

An Excellent Piece on Goodfellas | TRIBECA

GOODfellas

Red is Not Black

Rachel Dolezal and Andrea Smith: Integrity, Ethics, Accountability, Identity

[… a more productive place to begin might be to ask why there has not been any noticeable difference in professional or political expectations of Smith—in her self-presentations, speaking engagements, professional service, and publications? There are certainly many people who knew/know, so why have her ethics and integrity not been questioned or challenged in the same or similar way to those of Dolezal? Why does Smith’s fraud get excused on the grounds of “her good work” but Dolezal does not?

Meanwhile, we’ll all fail to ask why, as Dolezal and Smith present themselves through such complicated personal stories of childhood abuse and family dysfunction, we respond so differently to Dolezal’s blackface and Smith’s redface. We’ll avoid the opportunity to think out loud together about why it seems the entire nation demands accountability of someone pretending to be Black–of literally altering her physical appearance to conform to racist expectations of Blackness–but doesn’t seem to give one iota of concern about those who pretend to be Indian.]

Read the full opinion article | tequilasovereign

ANDREASMITH

Duty, Happiness. And Decency

[In Camus’ book, “The Plague,” the doctor at the center of the novel, Bernard Rieux, battles pestilence day after day. It is a Sisyphean task. At one point he says, “I have to tell you this: This whole thing is not about heroism. It’s about decency. It may seem a ridiculous idea, but the only way to fight the plague is with decency.]

[I’ve grown suspicious of the inspirational. It’s overrated. I suspect duty — that half-forgotten word — may be more related to happiness than we think. Want to be happy? Mow the lawn. Collect the dead leaves. Paint the room. Do the dishes. Get a job. Labor until fatigue is in your very bones. Persist day after day. Be stoical. Never whine. Think less about the why of what you do than getting it done. Get the column written. Start pondering the next.]

Read the full opinion article | THE NEW YORK TIMES

CAMUS

“Never Hit Below the Belt” and an Unscientific Guide to Why Men Don’t Kick Each Other in the Nuts

[The question was posed by a woman on Yahoo! Answers: “If you dislike each other enough to want them to get hurt,” she asked, “why not do the worst?”

The answers, admittedly unscientific, were interesting. One of the common responses involved the idea that not hitting below the belt was “an unspoken rule.” Maybe it’s the Golden Rule—do onto others as you would have them do unto you—and some men mentioned that, but others suggested that it was a rule specific to manhood. It’s a “cheap shot,” said one. A “low blow,” said another.

Not hitting below the belt, then, protects the idea that men’s bodies are fighting machines. It protects masculinity, the very idea that men are big and strong, pain- and impact-resistant, impenetrable like an edifice. So not hitting below the belt doesn’t just protect individual men from pain, it protects our ideas about masculinity.

When a man hits below the belt, he is revealing to everyone present that masculinity is a fiction. That’s why one guy said: “For ‘alpha male’ fights, nut shots are just wrong.” Alpha male fights are about figuring out which male is alpha, while preserving the idea that the alpha male is a thing that matters.]  Read the full article | Sociological Images

BOXING

Why I Would Prefer a Police Officer Knocking at My Door, Than A Faceless Internet Accuser | Emmanuel Levinas, Identity and the Significance of the Face

[For the philosopher Emmanuel Levinas, the encounter with another’s face was the origin of identity — the reality of the other preceding the formation of the self. The face is the substance, not just the reflection, of the infinity of another person. And from the infinity of the face comes the sense of inevitable obligation, the possibility of discourse, the origin of the ethical impulse.

The connection between the face and ethical behavior is one of the exceedingly rare instances in which French phenomenology and contemporary neuroscience coincide in their conclusions. A 2009 study by Marco Iacoboni, a neuroscientist at the Ahmanson-Lovelace Brain Mapping Center at the University of California, Los Angeles, explained the connection: “Through imitation and mimicry, we are able to feel what other people feel. By being able to feel what other people feel, we are also able to respond compassionately to other people’s emotional states.” The face is the key to the sense of intersubjectivity, linking mimicry and empathy through mirror neurons — the brain mechanism that creates imitation even in nonhuman primates.

Without a face, the self can form only with the rejection of all otherness, with a generalized, all-purpose contempt — a contempt that is so vacuous because it is so vague, and so ferocious because it is so vacuous. A world stripped of faces is a world stripped, not merely of ethics, but of the biological and cultural foundations of ethics….]

Read the full article here | The New York Times

FACELESS

The Unforgiven | The not so Curious Case of President Jose Mujica in Uruguay

[Inequality and poverty climbed in Uruguay in the early 2000s, and the proudly anti-materialistic country is developing a taste for high-end brands. A billboard exhorting you not to be caught without Ray Ban sunglasses welcomes you to Punta del Este, a resort town teeming with condo developments boasting on-site spas. New Audi dealerships are popping up, and mechanics crash online courses to bone up on the expensive imports. “They have to,” a salesman informed me. “It’s a necessity!”…

… There’s something wrong with the way we respond to figures like Mujica. We place our faith in themfall in love with themfor what they say and the incorporeal impact they have on our national consciousness. But then, not only do we judge their performance on entirely different metrics, we also stop listening to them. Inspirational leaders issue a call to us, not a promise for us. They invite us to see ourselves differently, to open ourselves to a new way of being. If, after casting our ballots, we don’t buy books instead of new cell phones, don’t use less gas, don’t do more to stitch back together the social fabric of our own neighborhoodsif, rather than answer the call, we retreat safely back to our old cynicismthen whose fault is that?]
Read the full article | New Republic

MUJICA