[The eclipse of serious journalism by punchy soundbites and outraged tweets, and the polarized, standardized reflection of opinion into forms of humor and theatricalized outrage within narrow niche-markets makes the category of individual thought increasingly unreal. This is true on the left as well as the right, and it is especially noteworthy once we countenance what passes for political discourses today. … The new media forms have devolved into entertainment, and instead of critical discourse we see the spectacle of a commentariat, across the ideological spectrum, that prefers outrage over complexity and dismisses dialectical uncertainty for the narcissistic affirmation of self-consistent ideologies each of which is parceled out to its own private cable network.
I am reminded of a lecture I attended some years ago where the late James Cone, an intellectual titan and the father of black liberation theology, observed that some of the most difficult students to teach on questions of the color line were those who happened not to be white. Why? Because black and brown students often believe that because they were born into a certain body at a certain point in time, they have special knowledge and wisdom that makes it unnecessary for them to engage in serious study of the color line….
We see this in an America which in many ways has lost the ability to determine what is “true” and what is “fake,” and where lies are now labeled as mere “untruths” or “disagreements.” As with Trump, Kanye West is the human distillation of America’s social pathologies of greed, narcissism and a celebrity-driven culture of distraction and emptiness. Hyperreality is the state of being where these social pathologies exist, and through which they are mediated.
Ultimately, Kanye West is just one more character caught up in the orbit of the human black hole Donald Trump, in a malignant reality where the absurd is now the quotidian….]
Full article here: I love Kanye West | Chancey DeVega for SALON
[Why does it matter whether we judge morality in our native language or a foreign one? According to one explanation, such judgments involve two separate and competing modes of thinking—one of these, a quick, gut-level “feeling,” and the other, careful deliberation about the greatest good for the greatest number. When we use a foreign language, we unconsciously sink into the more deliberate mode simply because the effort of operating in our non-native language cues our cognitive system to prepare for strenuous activity. This may seem paradoxical, but is in line with findings that reading math problems in a hard-to-read font makes people less likely to make careless mistakes.]
Roman Polanski, Woody Allen, Bill Cosby, William Burroughs, Richard Wagner, Sid Vicious, V.S. Naipaul, John Galliano, Norman Mailer, Ezra Pound, Caravaggio, Floyd Mayweather, though if we start listing athletes we’ll never stop. And what about the women? The list immediately becomes much more difficult and tentative: Anne Sexton? Joan Crawford? Sylvia Plath? Does self-harm count? Okay, well, it’s back to the men I guess: Pablo Picasso, Max Ernst, Lead Belly, Miles Davis, Phil Spector.
Timothy Morton wants humanity to give up some of its core beliefs, from the fantasy that we can control the planet to the notion that we are ‘above’ other beings.
[Morton’s terminology is “slowly infecting all the humanities”, says his friend and fellow thinker Graham Harman. Though many academics have a reputation for writing exclusively for their colleagues down the hall, Morton’s peculiar conceptual vocabulary – “dark ecology”, “the strange stranger”, “the mesh” – has been picked up by writers in a cornucopia of fields, from literature and epistemology to legal theory and religion. Last year, he was included in a much-discussed list of the 50 most influential living philosophers. His ideas have also percolated into traditional media outlets such as Newsweek, the New Yorker and the New York Times….
Morton’s theories might sound bizarre, but they are in tune with the most earth-shaking idea to emerge in the 21st century: that we are entering a new phase in the history of the planet – a phase that Morton and many others now call the “Anthropocene”.]
“As a moral claim, ‘Blue Lives Matter’ is predicated on the existence of blue life. And yet blue life does not exist prior to the articulation of that moral claim. Blue life is merely constituted through the anticipation of violence and the projection of criminality. Blue life is not a personhood but rather a spectral legal identity that mimics vulnerability. Blue life is no more than a figuration … It is impossible to inhabit the ‘I’ of blue life. No one can be on the side of blue life. It is merely a conceit that simulates a threat in order to justify the expansion of state power.”
“Racist bars and jokes are known for creating shock value and major crowd reactions, and to be on the receiving end of those lines will trigger emotions not only for a battler but for the people who those lines are referring to. I chose to embrace the stereotypes and I guess you can say, ‘take it back, take away the power.’ Those words hold and in, I turn flip it on my opponents.
I incorporate a lot of Native schemes, references, jokes and use it to my advantage. I always expect the them to come and me with the same material as they should since it’s a battle, and I’ve recently learned to sway myself from using stereotypes against my opponents because, for me to do so would be defeating the point I’m trying to accomplish when I battle.”
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