Sherman Alexie’s “The Absolutely True Diary of a Part-Time Indian” is Becoming a Film

The film, which centers on a Spokane Indian Reservation teen who transfers to an all-white high school where the only other “Indian” is the school mascot, will mark the first known instance of a studio movie featuring a Native American protagonist. Jackman is eyeing a supporting role.

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For an industry that long has relegated Native Americans to the nefarious periphery (John Ford’s The Searchers), whitewashed them (Rooney Mara as Tiger Lily in Pan) or lampooned them (Adam Sandler’s The Ridiculous 6), Part-Time Indian is a welcome change. Throughout its nearly decade-long run, the book continues to build momentum on The New York Times‘ best-seller list, hitting No. 1 for the first time in May. It remains a favorite among middle-school teachers for its realistic depictions of harsh issues including poverty and bulimia.

Alexie, who grew up on the reservation depicted in the book, is adapting the screenplay and will executive produce. He promises, “This is going to be culturally authentic.”

All this comes at a time when Native American actor and activist Myrton Running Wolf (The Curious Case of Benjamin Button) is petitioning SAG-AFTRA to reverse its policy of not recognizing tribal enrollment (SAG-AFTRA has maintained it is illegal to request tribal verification from potential Native American employees or show preference based on it). Read the full article | Hollywood Reporter

The Unfinished Oscar Speech

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(Daily Kos | February 26, 2016)

Despising “celebrity” in every Hollywood sense of the word, Marlon Brando used his fame to make statements, bring awareness, and create change. Blatantly against any form of racism, Brando marched in 1963 during the Civil Rights Movement in DC, and often carried his fight for equal rights into his movie roles. In one film, Brando insisted that his air-force pilot character in Sayonara marry the pilot’s Japanese lover at the end. This was in 1957 during a time when America was steeped in Japanese racism. In 1967, Brando was the first leading actor to play, in a sympathetic way, a closeted homosexual military officer in Reflections in a Golden Eye.

But Marlon Brando’s most renowned example of human rights activism took place in 1973 when he forfeited an Oscar for The Godfather in order to bring international awareness to the wrongs being committed against American Indians. After the winner of the category Best Actor was announced, Sacheen Littlefeather went up on stage and spoke on behalf of Marlon Brando. The actress and activist gave a short eloquent and provocative speech which was received by the live audience, and around the world with mixed reactions.

Here is the entire speech (which can also be found here (The New York Times)):

BEVERLY HILLS, Calif. — For 200 years we have said to the Indian people who are fighting for their land, their life, their families and their right to be free: ”Lay down your arms, my friends, and then we will remain together. Only if you lay down your arms, my friends, can we then talk of peace and come to an agreement which will be good for you.”

When they laid down their arms, we murdered them. We lied to them. We cheated them out of their lands. We starved them into signing fraudulent agreements that we called treaties which we never kept. We turned them into beggars on a continent that gave life for as long as life can remember. And by any interpretation of history, however twisted, we did not do right. We were not lawful nor were we just in what we did. For them, we do not have to restore these people, we do not have to live up to some agreements, because it is given to us by virtue of our power to attack the rights of others, to take their property, to take their lives when they are trying to defend their land and liberty, and to make their virtues a crime and our own vices virtues.

But there is one thing which is beyond the reach of this perversity and that is the tremendous verdict of history. And history will surely judge us. But do we care? What kind of moral schizophrenia is it that allows us to shout at the top of our national voice for all the world to hear that we live up to our commitment when every page of history and when all the thirsty, starving, humiliating days and nights of the last 100 years in the lives of the American Indian contradict that voice?

It would seem that the respect for principle and the love of one’s neighbor have become dysfunctional in this country of ours, and that all we have done, all that we have succeeded in accomplishing with our power is simply annihilating the hopes of the newborn countries in this world, as well as friends and enemies alike, that we’re not humane, and that we do not live up to our agreements.

Perhaps at this moment you are saying to yourself what the hell has all this got to do with the Academy Awards? Why is this woman standing up here, ruining our evening, invading our lives with things that don’t concern us, and that we don’t care about? Wasting our time and money and intruding in our homes.

I think the answer to those unspoken questions is that the motion picture community has been as responsible as any for degrading the Indian and making a mockery of his character, describing his as savage, hostile and evil. It’s hard enough for children to grow up in this world. When Indian children watch television, and they watch films, and when they see their race depicted as they are in films, their minds become injured in ways we can never know.

Recently there have been a few faltering steps to correct this situation, but too faltering and too few, so I, as a member in this profession, do not feel that I can as a citizen of the United States accept an award here tonight. I think awards in this country at this time are inappropriate to be received or given until the condition of the American Indian is drastically altered. If we are not our brother’s keeper, at least let us not be his executioner.

I would have been here tonight to speak to you directly, but I felt that perhaps I could be of better use if I went to Wounded Knee to help forestall in whatever way I can the establishment of a peace which would be dishonorable as long as the rivers shall run and the grass shall grow.

I would hope that those who are listening would not look upon this as a rude intrusion, but as an earnest effort to focus attention on an issue that might very well determine whether or not this country has the right to say from this point forward we believe in the inalienable rights of all people to remain free and independent on lands that have supported their life beyond living memory.

Thank you for your kindness and your courtesy to Miss Littlefeather. Thank you and good night.

This statement was written by Marlon Brando for delivery at the Academy Awards ceremony where Mr. Brando refused an Oscar. The speaker, who read only a part of it, was Shasheen Littlefeather.

When “Free Speech” gets Confused with Fiction as Truth, and Losing a Lawsuit for it | The Curious Case of “American Sniper” Chris Kyle, and Jesse Ventura

[In the lead up to the defamation case going to trial, all of the legal experts on television and in print said that it was highly unlikely that Jesse Ventura could win the case because the bar was set very high in defamation cases concerning celebrities. According to these various experts, in order for Ventura to win he would need to prove that not only did Chris Kyle lie about him, but also prove that he did so maliciously and that he prospered from it.

Despite the very high burden of proof, on July 19, 2014, Jesse Ventura, former Governor of Minnesota, WWF wrestler, TV show host and Former Navy SEAL (technically he was in the pre-cursor to SEALs, the UDT) won a defamation lawsuit against deceased former Navy SEAL Chris Kyle, author of American Sniper to the tune of $1.8 million. In the book, Chris Kyle, claimed to have punched ‘Scruff-face’, later identified by Kyle on both the The O’Reilly Factor on the Fox News Channel and The Opie and Anthony radio show as Jesse Ventura, in a SEAL bar in California….]

Read the full article | Michael McCaffrey

Nostalgia, Borgesean Shredded Maps, and Simulacra | The Case of So Many Indian Wannabes

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[We are among the tribe of the Wannabes: non-Native Americans who insist on claiming Indian heritage. Why do Wannabes appropriate, fabricate, and invent a Native identity? Is it for pure financial gain? Is it part of a colonialist project to speak for the Other? College admissions? A highly subjective existential crisis? Examining the motives of the Wannabes is a fraught subject, one where good intentions rub up against old racist habits and where narrative embroidery easily morphs into self-delusion. It’s where the personal is political and politics get personal.]

Read the full article here | LongReads

‘Scalped’ Comic Book Is Coming to TV | Native Actors Need Apply

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‘Scalped’ Comic Book Is Coming to TV | Native Actors Need Apply

Hollywood Reporter

WGN America is looking to DC Comics’ Vertigo imprint as it bolsters its development slate. The cable network, which will bow its first original scripted series on Sunday, has put in development an adaptation of Scalped from DC Entertainment’s Vertigo imprint, The Hollywood Reporter has learned.

Scalped is described as a crime noir set on a Native American reservation. Banshee‘s Doug Jung will pen the script and executive produce the Warner Horizon Television drama.

Denzel Washington on Turning Down a Job | The Nigga they Couldn’t Kill

A Very Interesting Story About Robert Downing Jr.

A Very Interesting Story About Robert Downing Jr.

[Whether you are or aren’t a fan of Robert Downey Jr, there’s a man behind the Iron Man suit, and his past is full of skeletons. The following account written by Dana Reinhardt; however, displays Robert’s true colours:
I’m willing to go out on a limb here and guess that most stories of kindness do not begin with drug addicted celebrity bad boys.Mine does.]  Dana Reinhardt